After several
episodes of having very little to do The Weight of One Man’s Heart finally gives
Drake his own episode.
I have
no idea whether or not love birds should be separated so I will give Ripper Street
the benefit of the doubt as I do with every episode.
There are spoilers within. Consider yourselves warned!
PLOT: Reid (Matthew Macfadyen), Drake (Jerome
Flynn) and Jackson (Adam Rothenberg) investigate a series of stage coach
robberies. Drake’s mind is focused on
his courtship of Rose (Charlene McKenna) until his former Colonel, Madoc Faulkner,
(Iain Glen) returns to London and offers Drake a chance for a new life outside
of the law. END PLOT
Episode
five marks a slight change in format for Ripper Street as it is the first
episode which doesn’t focus its attentions on a murder. Save for a horse the lack of death allows
the urgency of the investigation to ease up slightly and for Bennett Drake's character development to take centre stage.
As with
every episode there is a heavy element of social context bubbling underneath
the main storyline. The Weight of One
Man’s Heart is no different and this episode makes some uneasy parallels with
soldiers returning from war. They are shown
as living on the streets or resorting to crime to survive. Their plight is made all the more sympathetic by Faulkner’s passionate
speeches.
The
tension between Reid and Faulkner could be cut with a knife. Faulkner makes it clear that he has little
respect for Reid with “I have little clemency for
men behind desks in high places with low honour”. The conversation between Faulkner and
Reid is one of the best written and acted scenes in the episode.
Faulkner
is the most complex guest
character we have had so far. The fact
that he is played with such grandiose by Iain Glen is an added bonus.
Drake
is given the vast majority of the screen time and Jerome Flynn does not waste a
second of it. The episode opens with
Drake getting ready for his date with Rose and closes just as Drake’s heart has
been broken which brings the episode full circle.
The final shot of Drake releasing the expensive love birds was a clever shot
to end on as it packed a greater emotional punch than any scene with dialogue
could.
Aside
from the brilliant scenes with Iain Glen, Matthew Macfadyen takes a
back seat however the episode does not suffer for it. As all the sympathy is being given to Drake
there are times when Reid comes across as unnecessarily harsh towards him. This is not really the case but Reid’s
mishandling of Drake’s request for a pay rise did make for some wonderfully
awkward moments between the characters.
Jackson
doesn’t get much to do but as per usual Adam Rothenberg steals the few scenes
he is in with some cracking one liners and his usual dark humour. Jackson’s attempts to bond with Drake appear
genuine but in typical Jackson fashion his inability to stop talking leads to him
getting his ass kicked….again. Jackson admits
to being in the same position that Drake is in with Rose. His belief that it will all end badly and
that “no man’s heart aches forever”
means we have inadvertently found out more about Jackson’s past in this episode
than in any other.
Charlene
McKenna takes centre stage as the episodes
leading lady. Rose is ridiculously sweet
and even when breaking Drake’s heart you could tell she was trying to do it
gently - even though her efforts didn’t quite work. Rose's
sweetness is emphasised with Susan (MyAnna Buring) appearing in a few short
scenes in full bitch mode. It has been a
while since we have had any Susan/Jackson scenes and they are missed.
As per
the norm the cinematography is stunning with Drake’s grainy flashbacks being
seamlessly interwoven with his fight scenes and in
less capable hands the closing scene with the birds would have been cheesy.
There is nothing about the episode that can be faulted.
Ripper Street has always been a polished production but the writing and
the cast have never been stronger.
The Weight of One Man's Heart gets 10/10.
Lines
of the week:
Reid: “I have no reason to doubt the candour of
the man’s confession” (Reid to Drake).
Reid shows that his sense of loyalty is just as strong as Drakes and doesn’t
acknowledge that Drake may have gone over to the dark side. Reid also respectfully gives Faulkner back
his scarab necklace as he says this line.
Drake: “What I cannot offer you in wealth and luxury
Miss Rose, I offer you my whole heart for always, for when I look upon you I
feel a mercy I felt lost in me and I will work as hard as any man is able to
provide every day for your happiness and to be a better man, if you, that is to
say, that if you might consider of doing me the utmost honour of being by my
side” (Drake to Rose). Drake’s
beautiful proposal was turned down by Rose.
*sob*
Jackson:
“They see in each other the burns that
other people don’t” (Jackson to Drake).
It was tempting to go for “isn’t
this the most honest face you have ever sat on” but that would have been
too obvious! Jackson is the humour of
the show but he has just as much depth as Reid and Drake.
I think that was a beautiful proposal too, good for his great cast and excellent show.
ReplyDeleteIt was a brilliant episode - great to see Jerome Flynn get a bit more to do
DeleteThanks for reading!
K :-)
No mention of Faulkner's "BE BACK!, MAY THY BONES BE BROKEN!, MAY THY POISON FALL AND stAY DEAD UPON THE GROUND!, FOR I HAVE THROWN OPEN THE DOORS OF THE FIRMAMENT!"?. I'm wounded.
ReplyDelete