Tuesday 31 January 2012

The Grey



In amongst the current spate of Oscar baiting films The Grey almost got overlooked but low and then behold a sneaky Monday night trip meant that the latest offering from the mighty Liam Neeson didn’t get missed. 

PLOT:  Ottway (Liam Neeson) and his crew of clichéd characters survive a plane crash and are stranded in the wolf infested wilderness.  Being chased down by a pack of extremely stealthy wolves the survivors try to make their way to safety.  Liam Neeson punches a wolf.  Place your bets on who lives and who dies.    END PLOT

The plot of The Grey took me by surprise as it follows traditional horror film beats – band of characters picked off one by one until the last man stands.  There were quite a few jumps courtesy of ninja wolves appearing from nowhere but I was brave and although I survived many vaguely familiar actors died.  May they rest in pieces.

The survivalist plot, although not particularly original, was well executed.  It was very much helped by the strong cast who managed to make cardboard characters appear interesting before their inevitable demise.

Liam Neeson was great as Ottway and leads the cast with ease.   It was a wise decision to allow Neeson's character to be Irish as he never bothers attempting an accent anyway. 

 The Grey - Liam Neeson's addition tape for the next stage of Wolverine's ageing process.

The tone of The Grey was grim, bleak and events were taken very seriously.  There are no witty quips as “comedy character” did not survive the initial plane crash. 

Speaking of plane crash - I have to admit that I am terrified of flying.  If there is even the slightest hint of turbulence I am making my peace with the Lord.  The crash in The Grey was tough going and the tension never let up from there.  

On another day with another cast The Grey had the potential to be very run of the mill but Joe Carnahan has created a film which is genuinely stressful.  The wolves created a real sense of danger throughout the film - whether they were on screen or not.

The Grey is a great watch but it is not quite perfect - there are perhaps too many flashbacks of Liam Neeson’s wife fluttering about with a bed sheet and I can’t work out whether or not the ending was clever or cheesy.

The Grey is one of those films enhanced by the cinema.  It is most definitely worth a look on the big screen as I don't think the jumps and tension will be the same on dvd although I am unlikely to watch it again to test this theory.  Despite its faults and lack of originality The Grey still manages to be a bloody good film and it deserves a decent 8/10.

Disclaimer:  this is a pretty poor review even by my lowly standards but my energy has been sapped trying to fit "Liam Neeson" and "one man wolf-pack" into a witty sentence. 

Sunday 29 January 2012

Vampeire: The Debutante



This is the first book I have ever reviewed but I put off writing it for a short while for several reasons:

The first is because Vampeire: The Débutante is out of my comfort zone as it falls into the teen vampire category which I loath.  Vampires are not my genre and the appeal of tv shows like True Blood and The Vampire Diaries goes right over my head.  It’s best I don’t even mention my hatred for all things Twilight.

Secondly I know the author Andrea White as we worked together for several years and we still live in the same town.

I have to admit that The Débutante is not a book that I would read under normal circumstances and it only appeared on my radar because I am friends with the author.  My friendship with the author aside I have tried to write my review without bias and in my normal, incoherent and rambling fashion.

PLOT:  Layla is a young woman born from a human mother and vampire father.  A young American named Regan meets two mysterious Irishmen named Frankie and Kite who take him to Glenarm to meet the dangerous Colleen.  After Layla and Regan’s paths cross Layla heads up to the Highlands with Duncan and her friends and there she begins to discover her vampire heritage.  Despite Layla and Regan’s lives changing dramatically they fall in love but will they be able to live happily ever after?  END PLOT

The notion of vampires in Northern Ireland is very intriguing and works much better than you may expect.  The present is only as strong as the past and the mythology behind the inner workings of the vampire covens is very well thought out.  The same can also be said by the vampire hunters in the Scottish Highlands. 

The history of vampires in Northern Ireland and the hunters in Scotland is something that I hope is covered in greater depth or at least expanded upon in the next novel.   The section up in the Highlands with Layla discovering the thrill of the hunt was my favourite part of the novel.  

Vampeire: The Débutante is aimed at young teens but what makes it different is the usage of the Ulster Scots language and colloquialisms which added a sense of familiarity.  The language coupled with the Celtic version of vampire mythology gives The Débutante a local feel which makes it stand out from normal vampire fare.

My main dislike for Twilight is the characters themselves.  The films only serve to highlight the problems with the books but I will refrain from going off topic on a Twilight rant………..

Layla is a very decent lead character and her relationship with Regan is grounded. This may be a teen vampire novel but thankfully there is no “sparkling emo” nonsense.   There are heroes and villains but the characters are not unlikeable.

Even though Layla and Regan are the main characters it is Duncan who is the most interesting.  Duncan’s transformation from the joker to the most conflicted character is the arc that interests me most; like the mythology this is something I would like to read more about in the upcoming novels.

If I were to pick a fault in the book, and in the grand scheme of things it is only a tiny fault, it would be the ending which was almost too understated and quiet.  The Débutante is the first novel in a trilogy and the quiet ending has laid very solid groundwork for the next novel.  I know there is more to come from Layla and Regan’s story and I am invested enough to wait for the loud dramatic moments. 

I enjoyed Vampeire: The Débutante much more than expected.  I had severe reservations about teens and vampires but once I got over my own snobbish and misplaced apprehensions The Débutante is a very very good read.

Vampeire: The Débutante has done more than enough to pique my interest.  I will read the next instalment of the trilogy because I want to know more about the characters and not because I know the author.

Is it too early to declare myself on Team Duncan?

Andrea you should be very proud. Kx

Cellular



Those who have the misfortune of knowing me know that I go through actor phases.  I had a Reedus Season because of The Walking Dead and Fassbender Season is likely to run in the background for quite some time yet. 

I’ve always been a fan of Chris Evans who has this great habit of making easy viewing films.  Evans has been my go to 90mins actor since Cellular.

PLOT:  Ryan (Chris Evans) is just some guy who answers his phone.  Nokia. Kidnap victim Jessica (Kim Basinger) is on the other end of the line and begs him for help. Nokia. Ryan must help Jessica whilst trying to save the kidnappers next victims – her husband and son. Nokia in a Porsche. Ryan fails and Jessica’s husband and son are promptly kidnapped. Nokia broken. It’s only after turning to the police that Ryan finds out not all is what it seems. Nokia saves the day.  END PLOT

Cellular is not a groundbreaking film by any standards but it is great fun.  The plot moves along at breakneck speed so you don’t have time to think about the ridiculousness of proceedings.

Chris Evans plays Ryan with high levels of gusto and manages to stop moments such as the phone charger robbery scene from becoming too over the top.

Kim Basinger overacts like hell and becomes the most simpering and pathetic female kidnap victim in history.  If I kidnapped her she would have been given several hard slaps.  Basinger's performance stood out for all the wrong reasons and needed toned down dramatically.  In fairness to Jessica she does have an impressive body count by the end of the film but it doesn't excuse the hand wringing awfulness.

Jason Statham is Cellular’s main bad guy and he scowls his way through the film whilst trying to remember that he is American.  All the characters are fairly generic but Statham fairs the worst.

Despite my enthusiasm for Chris Evans the real star of the show is William H Macy as Sgt Mooney.  Sgt Mooney is on the brink of retiring to open a beauty salon *cough* sorry day spa with his wife and the mystery over Jessica’s kidnapping is his final case.

Macy has some great lines and I loved his goldfish in a wine glass moment which is exactly as it sounds.  Macy also manages to defy gravity on several occasions with some impressive power-sliding.

The action is basic although decently executed and it fits in with the light-hearted tone of the film very well.

The score is essentially a remix of Nina Simone’s Sinnerman which bizarrely works in the chase scenes. 

Cellular is an extremely cheesy film but it has enough charm to get by.  I am not ashamed to admit that this film is my ultimate guilty pleasure. Cellular gets an affectionate 7.5/10.

Saturday 28 January 2012

The Descendants



The Descendants had been on my radar for a while but George Clooney’s victory at the Golden Globes made me curious as there was nothing from the trailer to indicate that this film would be worthy of awards.

PLOT:  Matt King (George Clooney) is an absent husband and father but a successful lawyer.  After his wife Elizabeth is injured in a boating accident he is forced to deal with his daughters Alexandra (Shailene Woodley) and Scottie (Amara Miller).  It transpires that Elizabeth was having an affair with an Estate Agent so in true Hollywood fashion Matt leaves his wife’s deathbed and goes off, with his two daughters in tow, to confront his wife’s lover.  END PLOT

The absent father bonding with his estranged daughters was at times ridiculously contrived and and the addition of Alexandra’s stoner friend Sid (Nick Krause) meant that the tone occasionally flipped to an awkward comedy.

There were no particular scenes or moments which stood out and the dialogue didn’t dazzle; even the constant swearing, especially the over usage of that god awful word “twat” seemed forced.

One of the problems with The Descendants is that all the characters are incredibly unlikeable – Matt is an oblivious workaholic, Alexandra is a spoilt bratty teen, Elizabeth had an affair, Sid is in the wrong film, Brian is a sleazy estate agent and Judy Greer’s voice is like nails on a chalkboard. 

The only character I felt any sympathy for was Scott Thorson, (Robert Forster) Elizabeth’s father and yet he was made out to be the bad guy for telling Matt some well deserved home truths.  The only decent thing Matt did in the entire film was not tell Scott about his daughter’s affair.

George Clooney won the Golden Globe for his role as Matt King and no amount of complaining will ever change this.  Was it deserved?  No.  This is not because Michael Fassbender did not win but because it was no more or less than Clooney’s usual shtick - he was good but like everything about The Descendant’s it felt forced.

I watched The Descendants in a constant state of irritation and at the time I wasn’t sure why.  After sleeping on it I think it was because I was watching Hollywood’s expose on how it thinks everyday people deal with pending death. It may be how fictional Hawaiian families deal with death but in rainy, grey Ireland it couldn’t be further from the truth.

The Descendants is the first time that a topic which hits too close to home did not strike an emotional chord. 

My dislike for Clooney aside the subject matter alone should have made The Descendants an emotionally charged drama.   There is nothing bad about the film but there is nothing real about it either.  The Descendants gets a 6.5/10.  It will never be watched again.

Saturday 21 January 2012

Haywire



Michael Fassbender featured heavily in the trailer for Haywire in which he was unceremoniously beaten, strangled and thrown into a bath.  An explanation was required for the shocking treatment of Fassbender by some random butch chick.  This is the sole reason Haywire was on my radar. 

PLOT:  Mallory Kane (Gina Carano) an employee of a nameless and non-government funded spy agency is doubled-crossed by Kenneth, (Ewan McGregor) Rodrigo, (Antonia Banderas) Coblenz, (Michael Douglas) Aaron (Channing Tatum) and Paul (Michael Fassbender).  Mallory reacts to being set up by kicking forty shades of green out of Paul in a Dublin hotel and thereafter travels back to America to hunt down the most evil Kenneth in history to get some answers.  END PLOT

Haywire may be advertised as an intelligent thriller with the female equivalent of Jason Bourne in the lead role but it is just another “I’ve been double-crossed and I must know why” tale and offers absolutely nothing new to the genre.  The film ended two hours ago and I still haven’t been able to figure out the exact reason why Kenneth wanted Mallory dead.  I know it is because of Barcelona and isn’t because she dumped him…...…

Gina Carano is hot, feisty and I honestly believe she could kill me with one finger however in the acting world she is essentially the bastard love child of that unstoppable juggernaut Michael Myers and Angelina Jolie.

Carano is not a natural actress and relied heavily on the fact that she is a complete kicker of asses to carry her through the film.  It is refreshing to have a female action star who you believe could throw a punch without shattering her own skinny elbow so fingers crossed Carano partakes in a few acting lessons before her next film.

Ewan McGregor appears to be sacrificing his natural charm in favour of pronouncing each and every syllable in an obviously fake American accent and I do like Channing Tatum although if pressed I wont be able to remember why. 

The rest ensemble cast is made up of respectable names such as Antonio Banderas, Michael Douglas and the always impressive Michael Fassbender.

Haywire does star an enviable list of actors but the entire cast roll through proceedings looking constantly bewildered.  It’s as though they signed up to take part in an action thriller and seem extremely confused by the lack of thrilling action.   

This is perhaps a harsh summary as the fight between Carano and Fassbender is the best section of the entire film.  Their fight looked fantastic and was exceptionally well choreographed.  The real problem is it occurred during the first third of the film.  This meant that all fist fights which took place afterwards couldn't even match it let alone top it. 

In Haywire no one uses a gun except Kenneth as he is the worlds most evil Kenneth.

I appreciate that Haywire was never intended to be a loud and in your face but everything was almost too understated for its own good. 

There was a scene towards the end of the film in which Douglas and Carano were conversing in an aeroplane hanger and as my mind began to wander I noticed tumbleweed blowing across the runway in the back of the shot.  This moment summed up my feelings for the film.

Haywire is a very slick and at times gritty thriller but at the end of the day I was bored out of my skull.  It gets a 6/10. 

Thursday 19 January 2012

The Darkest Hour 3D


The Darkest Hour is a film which was not on my radar but when push came to shove it was a toss up between this and War Horse. I  think my choice says a lot about me as a person however I do realise that I am the only one who sees me in a positive manner.

PLOT: Invisible electrified aliens invade Moscow and Sean (Emile Hersh) and his friends must find their way to the US Consulate using nothing other than a tourist map, Molotov cocktails and an AK47. It transpires that the US Consulate did not survive the alien invasion and copious amounts of disappointment and disbelief ensues.
Upon a chance encounter with an ever so crazy Russian scientist, who immediately dies as a result of the friends’ incompetence, they obtain his microwave gun which *insert electrical alien science* and kills the aliens.
Sean discovers that a nuclear submarine is marooned upstream and leads his friends to safety but not before having a fist pumping moment of “fuck yeah I saved the day”. END PLOT

Absolutely everything about The Darkest Hour is bad nay outdated. I have no doubt that if this film were made in 1985 it would have starred Michael J Fox and would be something of a cult classic that all modern day alien invasion films would be made in homage to.  Unfortunately this is 2012 and the audience can see straight through the downright shoddy script, acting and special effects.

Emile Hersh is admittedly cute but unfortunately rather on the short side. Hersh is slumming it in this film and although his commitment to the role cannot be questioned his refusal to say lines such as “team-work makes the dream-work” with any awareness as to their corniness did make for some wonderfully unintentional comedy.

Despite being set in Moscow the local cast members were extremely limited until Yuri, Sasha and Boris (the only three Russian names allowed in film) rocked up with their hastily put together yet suspiciously organised defence team.

Absolutely no character stood out and the entire cast was definitely meh with high amounts of blah sprinkled on top.

The science behind technological weapons and aliens has never bothered me in films - if the science was real or logical in any way, shape or form we would all be living in Men in Black. Aliens invading earth I have no immediate beef with.  Aliens that are so much further up the evolutionary chain, who can build spacecrafts which allow for space travel, to have x-ray vision and built in infra-red are something to admire. What defeated the aliens in The Darkest Hour? The inability to see through glass.

IMDB states that The Darkest Hour had a budget of $30million however I cannot for the life of me see where it was spent. The aliens were invisible, which as a cost cutting measure is fair enough, but there were no set pieces, camera work or effects to justify it.

The 3D conversion was a complete waste of money as the only 3D aspects were occasional subtitles and a few floating bits of disintegrated human which took me out of the film completely as I remember to thinking that lord almighty this screen needs a good dusting.

The only aspect of the film that can hold its head up high is Moscow itself as it is an absolutely beautiful city. As Moscow was in danger of stealing all of the scenes it was time to drown it in cliché with the cocktails, that random AK47 which had been left lying around in a shopping mall and a good old fashioned nuclear submarine.

The fact that no one involved stopped to think about the downright awfulness of this film is mind boggling yet, (be honest you could see this “yet” coming from a mile off), I had a great time.

The Darkest Hour most certainly falls into the “so bad it’s good” category and is a downright cheese-feast.

There are those who will choose to see War Horse over The Darkest Hour and I think it says a lot about them as people.  What is being said is not positive.

The Darkest Hour gets a generous 3/10 as I know that it is bad but the second I accepted the fact that I was watching trash I had a blast.

Saturday 14 January 2012

Shame



Shame had been on my radar for sometime as it starred Michael Fassbender but I only really started to pay serious attention to the film after he won best actor at the Venice Film Festival.

Despite all the hype the adult content means that Shame is highly unlikely to get a wide release but luckily the Queen’s Film Theatre was giving the film a decent run.

PLOT:  Brandon (Michael Fassbender) is a young professional who is addicted to sex.  His highly organised routine is interrupted when his younger sister Sissy (Carey Mulligan) moves in with him causing his addiction to spiral out of control.  END PLOT

Shame is the second offering from the Steve McQueen/Michael Fassbender director/actor partnership and like Hunger, Shame is very much a performance driven film.

The film opens with Brandon on a subway train staring at a young woman.  What starts off as innocent flirting becomes extremely awkward as Brandon’s gazing goes beyond the levels of comfort and the woman leaves the train.  The scene lasted for about 5mins and contained no dialogue but Fassbender was able to command the screen and draw this particular viewer in.  The closing scene mirrored the opening with the exception of a few subtle differences and was a clever way of bringing the film to a quiet end.

Fassbender is absolutely mesmerising with every thought and feeling of Brandon’s being portrayed by his facial expressions to perfection.  Fassbender owned the screen and my eyes were locked on his for the duration of the film. 

I am not a fan of Carey Mulligan as she has overused her understated form of acting to the extent that she is just bland.  In Shame Mulligan was surprisingly good as and she sang a beautiful version of New York.

Fassbender and Mulligan had some fantastic scenes together some of which hinted that their childhood contained some dark times.  Their past was not explored or acknowledged so it was left up to the viewer to draw their own conclusions.

A lot has been made of the sex in Shame and although there was nudity and some extremely graphic sex scenes it never felt that it was crossing any line.   They became more frequent and intense as Brandon started to lose control of his organised life but to be honest they worked in the context of the film. 

McQueen has a very slow directing style with each scene containing very few, if any cuts, and the camera rarely moves.  This helped to give further credence to Fassbender’s acting as some of the scenes contained little dialogue and were solely reliant on his silent performance.  There were a few exceptions with several long tracking shots of Brandon out jogging.  These scenes showed just how gorgeous New York looks on film.

I remember writing not that long ago that David Fincher has a habit of making excellent films that I will only ever view once and as it stands Steve McQueen is also in this category.

The style and the quality of the acting in Shame cannot be faulted but I am hard pressed to give it a rating out of ten as the film would be nothing without the performance of Michael Fassbender. 

Shame is an excellent film but I cannot recommend it to others as people will already know whether or not they have any desire to see it.  I am not a blogger who has the skill to change that which is a pity as it deserves to be watched - if only once.

Saturday 7 January 2012

The most memorable films of 2011


As everyone is compiling their best of/worst of lists for 2011 I didn't want to feel left out.  I know that if I do a best of/worst of list it wont be in any way original so I have plumped for my most memorable instead:

10:  Fast 5


I don’t like Paul Walker.  I don’t like Vin Diesel.  I don’t know why I keep going to the cinema to see the Fast and Furious films.  It’s like I catch some uncontrollable and incurable cinema disease approximately every two years.

It was incurable until The Rock and his perspiring head bulldozed his way into the mix.  I wish I could say that I hated this film but rightly or worryingly The Rock cranked up the ass-kicking to the max.

The chances of GI Joe appearing on next years list because of The Rock is very likely to occur.

Fast 5 was badly acted and poorly scripted but it was noisy and fun which cancels Paul Walker out.

9:  X Men: First Class

I always knew First Class would be on this list but I didn’t know it would feature so low.  I love anything to do with X Men which meant that I was reaching uncharted levels of manic excitement in the days before the films release.

First Class came out just as Michael Fassbender’s potential greatness was becoming more apparent and by the third act it was all but confirmed.  Then the strangest thing happened during the finale.  Magneto suddenly started channelling Irish Batman.  The sudden Irishisation of Magneto was the biggest “What The Fuck” moment of 2011 and caused much googling and IMDBing on the journey home.

Fassy was still the best thing in the film. The fact that he is Irish is an added bonus.

8:  Tangled

I didn’t see many animated films in 2011.  The increase in CGI flicks means that the market is becoming over-saturated with third-rate family films.  Tangled was the exception to the rule. The film was in keeping with the Disney classics of old and managed to turn a relatively short fairytale into a very decent film.

It had all the hallmarks of Disney with the princess, dashing prince, comedy animal sidekicks and songs.  “Mother Knows Best” is up there with my favourites.  It was a great film which looked absolutely stunning in 3D.

7:  Burlesque

I would like to remind you that this list is a compilation of my most memorable films of 2011 and not the best otherwise I think it would be safe to conclude that Burlesque wouldn’t even make the shortlist. 

I need to give you some context about the town I live in.  It is so shitty that McDonalds shut its doors and left.  Whenever the announcement came that we would be getting a cinema of our very own I didn’t believe it.

Burlesque was one of the first films I had the pleasure of seeing in my newly built local cinema.  Not once.  Twice.

The screen broke down after ten minutes and everyone came over all British by not wanting to complain. We sat watching a juddering screen until we were essentially kicked out by the apologetic staff.  We were given a free pass to make up for the inconvenience.

The sad thing is I went back the next night to be served by the same person who gave me the free ticket.  The staff member commented that my friends and I must have really been enjoying the film to come back so soon. 

Cinematic dignity left me that night and it was sometime before I clawed it back. 

6:  Warrior

Warrior suffered greatly from the fact that The Fighter was released first.  Despite it not being based on true events Warrior has a much stronger story and performances and by the end of the film my sporting nerves were shot.

I can remember the day I went to see Warrior quite clearly as I had no interest in seeing it.  I think I was campaigning for something else but I cannot for the life of me remember what it was.  It was one of those going to the cinema for the sake of going to the cinema moments but I am glad I did. 

5:  Cowboy and Aliens

The idea of James Bond, Indiana Jones, Jon Favreau, cowboys and aliens had scope for so much potential.  It should have been epic but instead it was complete and utter shite.  What made it all the more offensive is that Cowboys and Aliens didn’t have the good grace to know it was shite and therefore took proceedings far to seriously to even allow me to have some “so bad its good" fun.  Cowboys and Aliens is memorable for what it could have and more importantly what it should have been.

4:  Insidious

I am fussy about horror films and generally I go for supernatural horror rather than an out and out blood fest.  Insidious, for the first two acts at least, was absolutely terrifying.  I was so scared I can remember thinking to myself that I am not going to make it until the end of the film - then it all went wrong.  After the reveal that the child of the family had been possessed by a gay Darth Maul the film went from terrifying to hysterically funny.   

 The very second the tone of the film changed

This sudden change in tone was made all the more memorable as the entire audience picked up on it at the same time and from that moment onwards a good laugh was had by all.  By the time the end credits rolled the entire screen was hyper. 

3:  It’s A Wonderful Life

I didn’t know that It’s A Wonderful Life would be getting a quick run in the cinema.  The only reason I knew was because I got a text from a friend saying she had booked me a ticket and to keep that particular Sunday afternoon free.  As brilliant as the film is it was made all the more memorable as I was there with the other two thirds of The Nerdy Trio.  It was one of those moments when I realised that on either side of me are two of the best friends I am ever likely to have. 

2:  The Guard

It’s very rare that I will go to the cinema to see a comedy and it’s even rarer that I go to the cinema to see a comedy which actually manages to be funny.  The Guard is home-made, low budget and is easily the best comedy of the year.  Brendan Gleeson is excellent as the sharp witted Sgt Gerry Boyle who also conveys quiet emotion during the few scenes with his terminally ill mother. 

1:  Senna 

I am the sort of F1 fan freak that sets their alarm for 4.00am on a Sunday morning to get up and watch the Japanese Grand Prix.  I absolutely love the sport but unfortunately I never had the pleasure of watching the Senna years as they unfolded.

I saw Senna on the last night of its run in a sold out screen at the Queen’s Film Theatre.  The documentary was very well put together and gave very strong accounts of Senna’s personal life and his racing career.

From a cinema experience point of view from the minute the caption of “San Marino 1994” appeared on screen I was in tears and I don’t mean that one single tear that sneaks out which automatically causes you to start shifting awkwardly in your seat.  I and about thirty strangers grieved for about twenty minutes.  It was the most emotional cinema experience I am ever likely to have.

Senna failed to make the short list for the 2012 Oscar race which is the ultimate crime.  It will in all likelihood get a nomination for best film but it won’t win.  It deserves a statuette but unfortunately it has been put in the wrong category.  

Senna is easily the most memorable film of 2011.

Friday 6 January 2012

The Artist



I heard about The Artist several weeks ago and was immediately intrigued, so much so, that I was front of the queue for the opening night showing at the Queen’s Film Theatre.

PLOT: George Valentin (Jean Dujardin) is a silent movie star of the late 1920’s who finds himself left behind after his studio switches to talking pictures.  In a last attempt to keep the silent film industry alive George writes, directs and stars in his own production which fails at the Box Office causing George to lose everything but his loyal dog Jack. As his situation worsens he is helped out by Peppy Miller (Bérénice Bejo) the young star who has taken his place at the top of Hollywood.  END PLOT

The plot of The Artist unashamedly follows the beats of any “comeback” story.  In a traditional Hollywood film this may pose a problem but as The Artist is a silent film the simplistic plot serves it well.  The running time of 100mins was long enough to allow the story to be told without over staying its welcome.

Despite the story itself being basic it was cleverly told with there being numerous impressive set pieces and moments of genuine humour.  There was a nice little joke about the “mugging” that comes with silent acting and it was used to show just how outdated and silly silent movies were becoming now that sound was being used.  Any instances of overacting were purely intentional.

Dujardin and Bejo were fantastic as George and Peppy with both actors oozing charisma and charm.  They were able to portray all emotions without speaking and they made it look effortless.  The success of The Artist lies with its casting.

Although the human cast cannot be faulted they were regularly upstaged by Jack, George’s pet dog who would give Eddie from Frasier a run for his money. 

The score also played an important role and was essentially a character in its own right.  There were a couple of decent little themes running through it and it’s the first time in a long while that I have been consciously aware of enjoying listening to the score at the same time as watching a film for the first time.

Filmed in black and white and using the old square “Academy ratio” (thank you IMDB) The Artist was a throwback to the silent films of old in every way possible. 

As much as I loved this film I hope that The Artist does not open the door for a new wave of silent films.  The film was extremely enjoyable but there is potential for a new trend in silent films which will in all likelihood turn into an overused gimmick.

I would find it unreasonable not to give The Artist a 10/10 as it was the most unique cinema experience I have had in a long time.  The Artist is completely different to the normal fare which is released in January and this has very much worked in its favour. 

Abandoned Bookends




Abandoned introduction/ending 2011

My mother was in her mid forties by the time she had me - I was that baby who showed up years after she and my father had made peace with the fact that they would never be parents. 

We lived in a decent sized farmhouse, kept some chickens and a goat and had all the other accessories financially comfortable people tend to have whilst living with the mistaken belief that they are indeed country folk who choose to work in the city.

My parents were both accountants but my mother did not go back to work after I was born.  I think she had waited so long to have a child she didn’t want to miss a second of motherhood by spending ten hours per day commuting to and from work.

After years of sitting in a desk my mother discovered the great outdoors and we spent as much time between rain showers as humanly possible in our back garden.  There were many failed harvests but we eventually created our own little vegetable garden which produced edible greens.  

Our garden was surrounded on either side with a small wooden fence with the bottom of the garden cordoned off by a river which ran adjacent to the house.  There was a large oak tree on the bank of the river from which my father hung a rope swing.  The swing would have failed even the most liberal of health and safety tests however this part of my childhood did not encounter any trips to A&E.

As well as the rope swing my father also hung a huge hammock style chair which the three of us used to squeeze into on the warmer evenings.  This simple creation was an important part of my childhood as whenever we sat in the chair as a family my mother would tell us her stories.

At the risk of bragging my mother told the best stories.  These yarns weren’t just kept for me - on many occasions a friend would call over to play whilst she was in the middle of another epic tale and we would sit hanging on her every word until the adventure had ended.

The older I became the less frequent her stories were told as hearing about magic and warring tribes in a make believe land, no matter how vividly they were told, began to seem childish.  My mother was aware that I was growing up and never pushed them upon me. 

The stories did make a brief return when I was about fourteen and my mother was struck down with pneumonia.  It became my turn to be the career and the telling of her stories was attached to this responsibility although I could never make them seem as real as my mother could.  I always felt this disappointed her but we never spoke of it and once she was on the mend my storytelling duties disappeared.

Life ran smoothly until just before my tenth birthday when for the first time my bubble of happiness was burst by cruel Fate as my father was killed in a car crash.  I can still remember the day at the hospital when the doctor came and told us.  I think all doctors are taught the procedure of giving bad news to family members at medical school to the extent that they are probably functioning on autopilot when they perform it - the walk down the corridor, the small smile, the long look down at their shoes, the slow exhale then BOOM!  They look up and everything changes.

I loved my father with all my heart but I have to shamefully confess that on the day of his passing I sat on my mothers lap in the relatives room of the hospital and I cried not only for the death of my father but tears of relief also flowed as I had not lost my mother.

My mother always was my best friend but the sudden loss of my father made our bond even stronger.  I of course had friends and was fairly popular at school.  I attended the usual sleepovers and camping trips that most children do.  I think I surprised a lot of people by leaving home and moving to the city to attend university and I know I surprised the same people again by deciding to remain there after I graduated.

The relationship with my mother never waned and we chatted on the phone regularly.  My mother, in keeping with that sacred tradition of women well into their sixties, had taken to knitting me scarves and hats which never fitted and also seemed to enjoy sending me pots of jam through the mail much to the amusement of my room-mate.

For as long as I can remember our household had only one rule - no secrets.  This contributed significantly to the close bond between my mother and I although in true parental fashion she manipulated it to her advantage - her investigation into a mysteriously broken vase was quickly solved on the uttering of the family mantra.

The openness of our relationship coupled with the family motto meant that on the rare occasion when we may have preferred to keep troubling information to ourselves it was impossible to do so as we became terrible at concealing our feelings from one another.

This inability to hide from each other did lead to several rows over choices of clothing and potential boyfriends during my teenage years although these moments were few and far between and went as quickly as they arrived.

It was about three months ago during a short weekend break home after a relationship with an approved boyfriend came to a abrupt end that I discovered that my mother was more skilled at keeping secrets than I realised.

If it wasn’t for the fact that she received a letter from the hospital on the Saturday I arrived I believe she would never have told me that she had been diagnosed with cancer several weeks before and had now received a date for her long term prognosis consultation.

I scolded her from keeping this from me and we cried together for a short while before she went back outside to potter around in her garden and I busied myself by pretending to tidy an already spotless kitchen. 

The news of my mother’s illness didn’t dominate our weekend but I found myself very aware that she was a lot slower on her feet that I remembered and when I gave her a long hug goodbye her weight loss became glaringly obvious. 

The day of the appointment arrived and although we were both nervous I honestly didn’t believe that my mother could be seriously ill.  We entered the doctor’s room and as he motioned for us to sit down in the chairs he gave me a small smile.  This was the second time in my life a doctor offered this type of smile.  I knew before he looked down at his notes what he was going to say.  I don’t remember anything else about the consultation apart from my mother patting me on the shoulder and saying “Don’t worry, there is still time”.

My mother wasn’t the type of woman to let things get her down but from that day forth her age, illness and acceptance of her fate shone through.  She was remarkably calm whenever her hospital bed took an extra three days to arrive and she was not perturbed when her ability to climb the stairs failed her and she had to be relocated to the small study beside the kitchen.   If my mother was the silent tower of strength I was the one of who wore emotions on my sleeve, much to the shock of the receptionist who had the misfortune to listen to my rant over the bed drama. 

Time seemed to move slowly although it felt like my mothers degeneration was moving at breakneck speed - her appetite went from small to practically non existent, her inability to walk unaided rendered her bedridden and you will never believe the pain an individual with cancer endures before they ask you for pain relief. 

There were days at a time my mother would do nothing but sleep and on those days I would sit in the armchair beside her bed with a book.  I would never read but would spend the vast majority of her slumber watching her breathe and tensing up at every change in her rhythm.

After several days of surviving on nothing more than sips of water and pain medication my mother woke up brighter and more alert than usual.  It was a particularly nice day and she asked if she could sit outside.  Despite my protestations against the impracticalities of this request my mother insisted.  In a moment of desperation to keep my mother indoors I uttered the phrase “you will catch your death out there”.  My mother found this hilarious therefore it was due to my unfortunate choice of words that she won this particular battle.

It took longer than I imagined getting my mother wheeled out into the garden.  If she realised just how uncomfortable the short commute to our oak tree would make her feel she may not have been so smug about getting her own way.  I made her aware of this fact but she just rolled her eyes - a trait of hers that never failed to irritate me.

Several swear words and many scolding’s later my mother in her immovable yet supposedly portable bed was sitting in the shade under the tree.  I lay in the old hammock chair and begrudgingly acknowledged that during the height of summer the weather was indeed warm.

My mother pre-empted another set of my illogical worries about parasols and sunhats and insisted that she was perfectly comfortable.  For the first time in several months I looked at my mother and saw her before me and I felt emotionally comforted yet devastated by what I saw.

We sat in silence for a while soaking up the sun and listening to the river flowing past. 

I felt myself beginning to doze off when I heard my mother pipe up “tell me our story”.

I argued that those stories of my childhood had long since been forgotten and began to update her on the status of the failing vegetable crop.

My mother interrupted and said in her firm voice that even at the age of twenty-five I was unable to argue against “You can remember.  I need to know that you can tell our story.”

It is only with looking back I can see the slight oddness in my mothers choice of language but at the time my mind was desperately trying to recall the characters and events I had spent so much time with in my childhood.

I told my mother her story with as much gusto and detail as I could muster and if you will permit me, I would like to share this part of our lives with you too…….


**********************


After I had finished the story we sat in silence for several minutes before my mother simply said “thank you”.

Despite not particularly embellishing in the task, telling the tale had taken much longer than anticipated.  The day had progressed from mid afternoon to early evening and the air was starting to cool.

Although she would never admit it I could tell that my mother was starting to feel a chill so I decided that it was time to relive the earlier ordeal and move her bed back into the house.  This did not prove any easier second time around and there was a lot more swearing and scolding.

Once the bed was returned to its rightful place I vowed to my mother that I would never again attempt to move it although we both knew that this was a lie.

I sat down on the sofa beside her bed and reached for the book that I had been reading since the beginning of my tenure as my mother’s career.  I read for a few moments until I could feel two eyes staring at me. 

I looked up, she smiled at me and in her soft spoken voice said “Thank you for showing me that you can tell our story.”

I told her she was very welcome and as it didn’t appear that this was the beginning of any particular conversation I went back to my book.  My mother quickly fell asleep and after the exertion of our bed moving antics it wasn’t long before I joined her. 

I fell into a deep sleep and woke up feeling refreshed and ready to face the day.  This feeling did not last as I soon realised that I would be facing the day alone as my mother had passed on during the night.

The next few days went by in a blur of visitors, sympathy and never ending cups of tea. 

The revolving door of mourners finally began to subside the day after the funeral and I was finally able to catch my breath and let the tears, which I had been storing for the past five months, flow – and they flowed hard.

Several weeks later I put my training as an office professional to good use and I started to sort out my mothers affairs.  It was a job I was putting off as it made everything feel so final but I received a letter from Swann & Sons Solicitors inviting me to call at their offices to discuss my mothers Will.

We had always lived comfortably but I worked in a corner shop in the village a year before it was legal for me to do so and I maintained a job in a call centre in order to support myself through my studies.  My mother did help financially and I the cheque which accompanied her hats or occasional pots of jam was much more generous than I appreciated.

I knew my mother owned her house and had no significant debts to speak of but that was the extent of my knowledge of her financial affairs therefore I arrived at the offices of Swann & Sons not quite knowing what to expect.

I entered the room and went through the usual “handshaking, sorry for your loss, how are you keeping” formalities with the Son of Swann & Sons Solicitors.  We went through the Will point by point and everything was as expected.  I conceded that the paperwork should be left in the hands of professionals and I turned over the documentation that I had in my possession and left it in Mr Swann Juniors capable hands.

Assuming the consultation was over I stood up to leave but Mr Swann added that there was one more thing.  He got up from his desk and picked up a large dusty package which was sitting on his bookshelf.

The package was quite large, looked heavy and was wrapped in old and faded brown paper.    He told me that my mother had stored this with her Will for safekeeping and that it had been in their safe for many years.

I reached out to take the package from him but he looked down at my heavily pregnant belly, a parting gift from my last pre-approved boyfriend, and insisted that he would carry it to my car.

The package was much heavier than it looked and it was unfortunate that Mr Swann’s chivalry did not extend to carrying it from my car to the kitchen table.  I stood there staring at the package for several minutes until I became aware that my back was beginning to ache from a combination of the stresses of the day and the latter stages of pregnancy.

I sat down and pulled off the paper to discover an old wooden box.  I opened the box to find a velvet cloth with a note addressed to me attached to it.  I apprehensively and curiously opened and read the note which was written in my mother’s handwriting:

“If you are ever in doubt as to who you are remember our story”.

I set the note on the table and started to unravel the velvet cloth.  My heart stopped when I saw what the cloth had been hiding and it took several seconds for my brain to register what I was holding.  It looked how I imagined would throughout my childhood although the blade was longer and more curved.  The hilt was heavy and carved at the top was a wolf with two jet black eyes.

I held it up to the light and I caught my reflection in the jagged metal and saw my large blue eyes staring back at me – the eyes of my mother and of her ancestors.

In that moment I knew why my mother’s story had played such an important part of my childhood and why it was so important to her that I be able to tell it after she had gone.

My name is Ella Wolfenden. I am the daughter of Amelia Wolfenden and a direct descendant of Den of Wolves.  I have shared with you my family’s story and when the time I right – I will tell it to my son.